| |
 |
 |
 |
|
| DAVID AUSTEN |
| 1960 |
Born in Harlow, Essex |
| 1982-85 |
Royal College of Art, London |
| 1978-81 |
Maidstone College of Art |
| |
|
| Individual
Exhibitions |
| 2007 |
Milton Keynes Gallery, Milton Keynes |
| 2006 |
David Austen, Ingleby Gallery, Edimburgh. |
| 2005 |
Froth on the Daydream, Wimbledon School of Art, London |
| 2004 |
Darkland, Peer, London
Anthony Reynolds Gallery, London |
| 2003 |
Hard Times, Ingleby Gallery, Edinburgh |
| 2001 |
Anthony Reynolds Gallery, London
Objects and Images from the Edge of the World, Wolsey Art Gallery, Christchurch
Mansion,
Ipswich (cat., ill.)
Annandale Gallery, Sydney
Ingleby Gallery, Edinburgh |
| 2000 |
Happy City, Anthony Reynolds Gallery, London |
| 1999 |
Galerie Marianne Hollenbach, Stuttgart |
| 1998 |
Slewe Gallery, Amsterdam
Inverleith House, Edinburgh |
| 1997 |
Galerie Marianne Hollenbach, Stuttgart
Mead Gallery, Warwick (cat., ill.)
Anthony Wilkinson Gallery, London |
| 1994 |
Anthony Reynolds Gallery, London |
| 1993 |
Cirrus, Los Angeles |
| 1992 |
Cornerhouse, Manchester
Anthony Reynolds Gallery, London |
| 1991 |
Anthony Reynolds Gallery, London
Cirrus Gallery, Los Angeles |
| 1990 |
Frith Street Gallery, London |
| 1989 |
Cirrus, Los Angeles
Castle Museum & Art Gallery, Nottingham (cat., ill.) |
| 1988 |
Anthony Reynolds Gallery, London (cat, ill.)
Arnolfini, Bristol |
| 1987 |
Serpentine Gallery, London |
| 1986 |
Anthony Reynolds Gallery, London (cat., Barry Barker,
ill.) |
| |
|
| Group Exhibitions |
| 2005 |
Edition, Ingleby Gallery, Edimburgh.
The Hardest Thing to Draw is a Kiss, The Gallery, Wimbledon (curated by David Austen)
Miradas y Conceptos, MEIAC, Badajoz
In Focus, Emma Hill Fine Art, The Eagle Gallery, London
Who’s Afraid of Red Yellow and Blue, Ingleby Gallery, Edinburgh
Remarkable, Andrew Mummery Gallery, London |
| 2004 |
10 Years, Slewe Gallery, Amsterdam
John Moores 23 exhibition, The Walker, Liverpool
Painting, Anthony Reynolds Gallery, London
See it … Read it, Art with words from the Arts Council collection, Draiocht, Dublin
Chromophiles, Galleri Bouhlou, Bergen |
| 2003 |
Drawn 2B Alive, Hales Gallery, London
Exodus: Between Promise and Fulfilment, Kettle’s Yard, Cambridge
(curated by David Austen, cat., ill.)
Independence, South London Gallery, London
The Lost Collection of an Invisible Man, Laing Art Gallery, Newcastle |
| 2002 |
Artaid, Bloomberg, London
3 x 2, The Nunnery, London
Abstraction, Ingleby Gallery, Edinburgh (cat.) |
| 2000 |
Yellow, Galerie Kempfer, Munich
Blue, The New Museum at Walsall, Walsall
Y2K, Archimede Staffolini Gallery, Cyprus |
| 1999 |
John Moores Exihbition 21, Liverpool
Commission for British Embassy, Cairo |
| 1998 |
Source/Chanzo, National Museum, Dar es Salaam
Book, Djanogly Art Gallery, Nottingham |
| 1997 |
Slewe Galerie, Amsterdam
A Cloudburst of Material Possessions, Purdy Hicks Gallery, London
Antechamber, Whitechapel Art Gallery, London
Marks and Traces, Sandra Gering Gallery, New York |
| 1996 |
Absolute Vision: New British Painting in the 1990s, Museum
of Modern Art, Oxford and tour
In passing..., The Tannery, London
Take it From Here, Sunderland Museum and Art Gallery.
Anthony Reynolds Gallery, London |
| 1995 |
Made in L.A, Los Angeles County Museum, Los Angeles
Cirrus, Los Angeles
The Contemporary Art Society Collection, Buttler Gallery, Kilkenny |
| 1994 |
Enitharmon Press, Gilmour Gallery, London |
| 1993 |
Painters' Prints, Cirrus, Los Angeles
Singer Friedlander Watercolour Competition, Mall Galleries, London
Spit in the Ocean, Anthony Reynolds Gallery, London
Moving into View, Recent British Painting, Royal Festival Hall, London
Strictly Painting, Cubitt Street Gallery, London
WaterCOLOUR, Curwen Gallery, London |
| 1992 |
Centre, Edinburgh; Barbican Centre, London (cat., ill.)
Twelve Stars, Arts Council Gallery, Belfast; City Arts
New Voices: Recent Painting For The British Council
Collection, Centre de Conference Albert Borshette, Brussels (cat., ill.)
Poiesis, Fruitmarket Gallery, Edinburgh
Whitechapel Open, Whitechapel Art Gallery, London |
| 1991 |
Whitechapel Open co-selector, Whitechapel Art Gallery,
London
New Editions, Cirrus, Los Angeles |
| 1990 |
Broadgate Art Project, London
British Art, Zellweger, Basel
The Theory and Practice of the Small Painting, curated by Tony Godfrey, Anderson
O'Day Gallery,
London
David Beitzel, New York
Poiesis, Graeme Murray Gallery, Edinburgh
Ciento, Barcelona
Mind the Gap, Espace Culturel Graslin, Nantes (cat., ill.) |
| 1988 |
Atlas 3, Nigel Greenwood Gallery, London
Vanitas, Norwich School of Art, Norwich (cat., ill.)
Object and Image: Aspects of British Art in the 1980s,
City Museum and Art Gallery, Stoke-on-Trent |
| 1987 |
On a Plate, Farnham College of Art and Serpentine Gallery,
London (cat., ill.)
Riverside Open, Riverside Studios, London
1986 New Art, Anthony Reynolds Gallery, London
Canvass: New British Painting, John Hansard Gallery, Southampton, and the Exhibition
Gallery,
Milton Keynes
Works on Paper, Anthony Reynolds Gallery, London
Between Identity and Politics: A New Art, Gimpel Fils,
London and tour; Gimpel and Weitzenhoffer, New York (cat., ill.) |
| 1985 |
Riverside Open, Riverside Studios, London
New Art 2, Anthony Reynolds Gallery, London
Young Masters, Solomon Gallery, London (cat.,, ill.)
Royal College of Art Degree Show (cat., ill.) |
| |
|
| Publications |
| 2005 |
David Austen , ‘Froth on the Daydream’, Broken Glass, 2005 |
| 2004 |
David Austen and Rupert Thomson , ‘Stood Up’, Peer 2004 |
| 2001 |
‘David Austen – Objects and Images from the Edge
of the World’, Wolsey Art Gallery, Christchurch Mansion,
Ipswich, 2001 |
| 1997 |
‘David Austen’, edited by Mead Gallery, Warwick
Art Centre, Coventry, 1997 |
| 1992 |
‘Tempest of Stars’, selected poems by Jean Cocteau,
translated by Jeremy Reed with drawings by David Austen. Enitharmon
Press, London 1992
Signed limited edition of 75 including one individual etching |
| 1990 |
‘David Austen’, Frith Street Gallery, London, 1990
Signed limited edition of 100
|
| 1989 |
‘David Austen’, edited by Marco Livingstone, Art
Random monograph, Kyoto Shoin, 1989 |
| |
|
| Bibliography |
| 2005 |
David Austen , 'David Austen on Alberto Giacometti's "Hour of the Traces" (1930)', Tate etc, issue 4 |
| 2004 |
Morgan Falconer, ‘David Austen’, Modern Painters, Summer (ill.)
Morgan Falconer, ‘Stuff of Substance’, What’s on in London, 3-10 March (ill.) |
| 2003 |
Jane Evans, ‘Exodus’, a-n magazine, September (ill.)
Joanna Pitman, ‘Bible Lessons’, The Times, 22 July (ill.)
Sue Hubbard, ‘The sands of time’, The Independent, 22 July (ill.)
Andrew Mead, ‘Double Vision’, The Architects’ Journal, 17 July (ill.)
Ruth Hedges, The List, 3-17 July (ill.)
Jessica Lack, The Guardian, 23 June
Robert Clark, ‘Exodus’, The Guardian Guide, 21-27 June (ill.)
Peter Chapman, The Independent, 14 June (ill.)
Craig Burnett, ‘Austen in the Desert’, Previews, Modern Painters,
Summer (ill.)
Robert Clark, ‘David Austen’, The Guardian Guide, 14-20 June (ill.)
Amber Cowan, ‘David Austen – Ingleby Gallery’, The Times, June
7-13 (ill.)
‘David Austen’, Scotland on Sunday, 8 June (ill.)
Helen Pickles, Financial Times, 10/11 May (ill.) |
| |
2001 Artist commission, Modern Painters, Winter (ill.)
Helen Clarke, ‘The Show asks: Only connect’, East Anglian Daily Times,
11 June (ill.)
Giles Sutherland, ‘Around the Galleries: Edinburgh’, Times, Wed,
14 February |
| 2000 |
Sean Dodson, ‘Artists who paint by digits’,
The Guardian, 30 November (ill.)
Izi Glover, ‘David Austen’, Time Out, 12-19 April (ill.)
Jorn Ebner, ‘Tiefer Griff in die Familienkiste’, Frankfurter Allgemeiner
Zeitung, 8 April
John McEwen, ‘Art’ Sunday Telegraph, 2 April
Charles Darwent, ‘The colour that changed the World’, Independent
on Sunday, 20 February
|
| 1999 |
Glyn Hughes, The Cyprus Weekly, 17-23 December
Cyprus Weekly, 24-30 December
‘Frecher Hasenfuss, David Austen stellt Aus’, Stuttgarter Zeitung
N.245
Simerini, 15 December
Politis, 10 December
Alithia, 6 December (ill.)
Philelefttheros, 6 December |
| 1998 |
John McEwen, ‘Light in a corner of the bar’,
The Sunday Telegraph, 31 May
Susanna Beaumont, ‘David Austen’, The List, 20 May (ill.) |
| 1997 |
Juan Cruz, ‘Antechamber’, Art Monthly, p.31-32,
No 206, May (ill.)
Joëlle Rondi, ‘About Vision’, Art Press, January, p.64-65 (ill.)
Kate Kellaway, ‘Once, twice, 74 times a lady’, Observer Review, 13
April
Waldemar Januszczak, ‘It’s all a matter of life and death’,
The Sunday Times, 6 April (ill.)
Andrew Lambirth, ‘David Austen’, What’s On, 12-19 March (ill.)
William Feaver, ‘Cloud pleasers’, The Observer, 9 February |
| 1996 |
William Feaver, ‘Crooked Style’, The Observer,
17 November
John McEwen, ‘It’s Young, it’s British, it’s Cool’,
Sunday Telegraph, 17 November |
| 1995 |
Paul Bonaventura, ‘A Dream without Sound’ interview, Modern
Painters, September |
| 1994 |
Sue Hubbard, 'David Austen', Time Out, 16-23 March (ill.)
Geraldine Norman, 'Exhibition highlights new wave of painting "unbound" for
success',
The Independent on Sunday, 14 March (ill.)
David Pagel, 'David Austen', Art Issues, No. 31, January/February |
| 1993 |
David Lillington, 'Strictly Painting', Time Out, 10-17
March
William Feaver, The Observer, 28 February
Charles Hall, The Guardian, 12 February |
| 1991 |
James Hall, ‘James Hall examines some new interpretations
of Minimalism in the light of several current shows’, The
Independent, 2 April
Tony Godfrey, 'British Painting for the 90s', Art in America, April (ill.)
Jody Zellen, ArtScene, March
Kristine McKenna, The Los Angeles Times, February, (ill.) |
| 1990 |
The Guardian, September, (ill.)
Sarah Kent, 'David Austen, Frith Street Gallery, Time Out, 4-11 July (ill.)
Sue Hubbard, 'David Austen, Frith Street Gallery' Galleries, June (ill.) |
| 1989 |
Marco Livingstone (ed.), 'David Austen’, pp 23,
40 full colour illustrations, Kyoto Shoin International Co Ltd
Tony Godfrey, 'David Austen at Anthony Reynolds', Art In America, September (ill.) |
| 1988 |
Sarah Kent, Time Out, 16-23 November (ill.)
Sarah Kent, 'Studies the Atlas', Time Out, Aug 24-31 (ill.)
Alice Lumsden, 'Artbreak', Vogue, July (ill.)
Sarah Howell, 'Hung for Less', World of Interiors, June, (ill.) |
| 1987 |
Brian Sewell, 'The Fine Art of Investing', Sunday Express
Magazine, 29 November (ill.)
Sarah Kent, 'Drawings and Sculpture', Time Out, 5-12 August (ill.)
Sarah Kent, ‘On a Plate’, Time Out, 8-15 April
Barry Barker, Flash Art, February - March (ill.)
Margaret Garlake, Art Monthly, January (ill.) |
| 1986 |
Mark Currah, City Limits, 20-27 November (ill.)
Margaret Garlake, 'Preview', Art Monthly, November
Sarah Kent, 'Works on Paper', Time Out, 6-12 March
Mark Currah, 'Between Identity and Politics, a New Art', City Limits, 7-13 February
Marjorie Allthorpe-Guyton, 'Between Identity and Politics: A New Art (Part 1),
Arts Review, 31 January, vol. XXXVIII, no. 2
Mog Johnstone, 'Riverside Studios: Open Exhibition', Artline, vol. 3, no. 1 (ill.)
R. Costa, 'London', Juliet, December - January 1986, no. 23 |
| 1985 |
Marjorie Allthorpe-Guyton, 'New Art I and II at Anthony
Reynolds', Artscribe International,
December 1985 - January 1986, no. 55
Sarah Kent, Time Out, 22-28 August 1985
William Feaver, 'On Paula Rego', The Observer, 8 September
Waldemar Januszczak, 'New Art', The Guardian, 27 August
Nigel Pollitt, 'New Art II', City Limits, 30 August-5 September (ill.) |
| |
|
| |
|
|
|
|
|