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| ALAIN MILLER |
| 1963 |
Born in London |
| 1985-87 |
MA
Course, Goldsmith's College, London |
| 1984-85 |
MA Painting, Chelsea College of Art & Design |
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| Individual
Exhibitions |
| 2004 |
Anthony Reynolds Gallery, London |
| 2003 |
Thomas Cohn, São Paulo (cat., ill.) |
| 2000 |
Archimede Staffolini Gallery, Cyprus |
| 1999 |
Anthony Reynolds Gallery, London |
| 1998 |
There's something odd about painting, Galerie
Christine König, Vienna (with Andrew Mansfield) |
| 1996 |
Anthony Reynolds Gallery, London |
| 1991 |
Anthony Reynolds Gallery, London |
| 1987 |
Anthony Reynolds Gallery, London (cat., Stuart Morgan, ill.) |
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| Group Exhibitions |
| 2004 |
Painting, Anthony Reynolds Gallery, London |
| 2003 |
ChockerFuckingBlocked, Jeffrey Charles, London
Opening exhibition, Anthony Reynolds
Gallery, 60 Great Marlborough Street, London |
| 2002 |
Painting as a Foreign Language, Centro
Cultura Inglesa, Sao Paulo (cat., ill.) |
| 2001 |
Bitches Brew, Jeffrey Charles Gallery, London
Versailles, 20 Trinity Gardens, London |
| 2000 |
Anthony Reynolds Gallery, London |
| 1999 |
Officina Europa, Villa delle Rose, Galleria
d'Arte Moderna, Bologna and tour (cat.)
Sensation, Brooklyn Museum of Art, Brooklyn
Archimede Staffolini Gallery, Cyprus
Do Paintings Dream about Veronese Green?, Elga Wimmer, New York |
| 1998 |
Galerie Hollenbach, Stuttgart
Ranger's House, Blackheath
Relative Values, Harris Museum & Art Gallery, Preston (cat.), |
| 1997 |
John Moores Exhibition, Walker Art Gallery,
Liverpool (cat.)
Sensation, Royal Academy of Arts, London, Hamburger Bahnhof, Berlin
(cat., ill.)
International Visitor, Toolroom Salon-Milch, London
Dissolution, Laurent Delaye Gallery, London |
| 1996 |
Twee meisjes op het strand... 2 Galerie
Declerq, Knokke-Heist
Absolute Vision, Museum of Modern Art, Oxford and tour (cat., ill.)
Take it From Here, Sunderland Museum and Art Gallery |
| 1995 |
Hard Work-Shift One, Hard
Work, London
Wednesday, The Tannery, London |
| 1994 |
Untitled Streamer Eddy Monkey Full Stop Etcetera, Anthony
Reynolds Gallery, London
La Promenade des Anglais, Galerie Ralph Debarrn, Nice
Anthony Reynolds Gallery, London |
| 1993 |
The Pet Show, 63 Union Street, London
Inhouse/Outhouse, Unit 7, London
Painting Show, 63 Union Street, London |
| 1992 |
Camberwell Arts School, London |
| 1991 |
John Moores Liverpool Exhibition 17, Walker
Art Gallery, Liverpool |
| 1990 |
Whitechapel Open, Whitechapel Art Gallery, London
Contemporary Art Society, London
Anthony Reynolds Gallery, London |
| 1989 |
Anthony Reynolds Gallery, London |
| 1988 |
The Invisible Man, Goldsmith's Gallery, London
(cat., ill.) |
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Something Solid, Cornerhouse, Manchester (cat,
ill.) |
| 1987 |
John Moores Liverpool Exhibition 15, Walker
Art Gallery, Liverpool (cat., ill.)
Art History, Hayward Gallery, London (cat., ill.) |
| 1986 |
Contrariwise - Surrealism and Britain 1930-1986,
Glynn Vivian Art Gallery,
Swansea and tour. (cat., ill.)
New Art, Anthony Reynolds Gallery, London
Southampton and The Exhibition Gallery, Milton Keynes
Canvass: New British Painters, John Hansard Gallery,
ICAF, London
Critics Space 3, AIR Gallery, London (cat., Fenella Crichton, ill.)
Feb-March |
| 1985 |
Riverside Open, Riverside Studios, London (cat.,
ill.)
New Art 2, Anthony Reynolds Gallery, London
Prelude, Kettle's Yard, Cambridge |
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| Selected Bibliography |
| 2004 |
Martin Coomer, ‘Alain Miller’, Time Out, 8-15 December
Louisa Buck, ‘Colliding Worlds’, The Arts Newspaper No.152, November |
| 2002 |
Pernilla Holmes, 'Sensation: Five years after the fallout', Art
Review, April (ill.) |
| 2001 |
Richard Dyer, 'New Impressions of Africa', Wasafiri,
Spring (ill. and cover) |
| 2000 |
David Gleeson, 'Versailles', Time Out, 8-15
November
Ria Higgins, 'Aqua vitae', July
Renata Saleci, 'Curators Between Money and Art', Flash Art, May-June
The Cyprus Weekly, 21-27 April |
| 1999 |
Sarah Kent, 'Alain Miller', Time Out, 22-29
September |
| 1998 |
'Kultur', Vogue (German edition), November (ill.)
Rainer Vogt, 'Englische Stoffe. Aha', Stuttgarter Nachrichter, 31 October |
| 1997 |
Tom Lubbock, The Independent, 18 September (ill.)
Anthony Daniels, Daily Mail, 17 September (ill.)
Martin Herbert, Time Out, 15-22 September (ill.)
Dalya Alberge, 'Fury grows at Hindley show', The Times, 11 September
(ill.)
Sarah Kent, 'Dissolution', Time Out, 12-19 March (ill.) |
| 1996 |
Andrew Wilson, 'The Vision Thing', Art Monthly,
December 96-January 97, p.8 (ill.)
Waldemar Januszczak, 'Something to smile about', The Sunday Times,
7 April (ill.) |
| 1991 |
David Lillington, Time Out, 19-26 June (ill.)
Matthew Collings, City Limits, 19-26 June (ill.) |
| 1987 |
Sarah Kent, Time Out, 9-16 December (ill.)
Mary Rose Beaumont, 'Miller's Tale', Galleries, December (ill.)
Waldemar Januszczak, 'Navel exercise', The Guardian, 25 November (ill.)
Brian Sewell, 'Green, Black, Red, Blue-or Boring?', The London Evening Standard,
19 November
William Feaver, The Observer, 1 November
Charles Harrison, 'John Moores Exhibition: The ABC of British Painting', Artscribe,
May 1987, no 63 |
| 1985 |
'New Art: Anthony Reynolds Gallery', City Limits,
28 August - 4 September
Nigel Frank, 'Canvass 1: New British Painters', Arts Review, 28 March,
vol. XXXVIII, no. 6
Stuart Morgan, 'Critics Space 3', Artscribe, April-May, no.57 (ill.)
Sarah Kent, 'Critics Space 3', Time Out, 13-19 February (ill.) |
| 1986 |
R. Costa, 'London', Juliet, December-January,
no. 23
Marjorie Allthorpe-Guyton, 'New Art I and II at Anthony Reynolds', Artscribe,
December-January, no. 55 |
| 1985 |
Sarah Kent, Time Out, 22-28 August (ill. in
Critics Choice)
Waldemar Januszczak, 'New Art', The Guardian, 27 August
Nigel Pollitt, 'New Art II', City Limits, 30 August - 5 September |
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